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张睿博/Zhang Ruibo (Mungo)

张睿博,师从李•兰迪教授,2014年4月获得中国国家留学基金管理委员会(CSC)全额奖学金资助,赴英国德蒙福特大学攻读博士学位,潜心完成研究项目(CHEARS)。他师从张小夫教授获得中央音乐学院硕士,主修电子音乐作曲与电子声学理论,任教于沈阳音乐学院作曲系。《计算机音乐教程》中文版(科蒂斯·罗兹)(人民音乐出版社)和《配器法研究》中文版(塞缪尔·阿德勒)(中央音乐学院出版社)译者之一。

他的作品《新十面埋伏》与论文《不同空间对话的结构分析》分别获在05、06年北京国际电子音乐节中获奖。2010年3月,多媒体作品《孕育》在英国莱斯特,德蒙特福特大学,音乐科技创研中心(MTI)成立十周年系列庆祝活动中(中央音乐学院现代电子音乐中心专场音乐会)世界首演。

他的研究:中国电子音乐调查(CHEARS)入选国际电子音乐研究协会(EMS)07年年会,同年六月赴英参加会议并宣读论文。此后,他的研究继续得到扩展,并且再次入选EMS08年年会,在巴黎宣布了CHEARS.info的早期研究成果。在EMS10年、EMS11年和EMS14年年会之际,分别在上海、纽约与柏林总结了CHEARS几年来的发展历程,它已成为植根于中国电子声学音乐领域的具有国际影响的专项研究。

2005年至今担任北京国际电子音乐节(Musicacoustica-Beijing)外联秘书。2006年(北京)与2010年(上海)国际电子音乐研究协会年会(EMS Conference),担任秘书。

Zhang Ruibo (Mungo) has been doing his doctoral research (CHEARS) with Prof. Leigh Landy since April 2012 under the International PhD (iPhD) program at De Montfort Univ. (DMU), Leicester UK. The mode of study is changed to full-time PhD from April 2014 to April 2017 under the State Scholarship Fund by China Scholarship Council (CSC). He teaches electroacoustic music composition and theory at China Shenyang Conservatory of Music. He had his master’s degree with Prof.Zhang Xiaofu and Kenneth Fields in China Central Conservatory of Music (CCOM). He was one of the translators for completing Chinese version of The Computer Music Tutorial (Curtis Roads) and The Study of Orchestration (Samuel Adler).

His work, New Ambush on All Sides, awarded by Beijing MUSICACOUSTICA festival 2005 and was performed at Audio Art Festival 2007, Krakow Poland; Synthèse Festival 2008, Bourges France; as well as Salle Oliviere Messian, Radio France, Paris. In March 2010, his new piece Birth (Audio-Visual) was performed (World Premiere) in the Concert of Central Conservatory of Music, Beijing – Chinese Electroacoustic Music Center amongst The MTI 10th-Birthday Series at De Montfort University, Leicester UK.

His research, CHEARS (China ElectroAcoustic Resources Survey), was selected into EMS07 conference, and he presented the research at De Montfort University, Leicester UK. After this, he continues his research: CHEARS.info, and presented it at the EMS08, EMS10, EMS11 and EMS14 conference in Paris, Shanghai, New York and Berlin respectively.

As Foreign Liaison Secretary, he successfully worked in MUSICACOUSTICA-Beijing Festival since 2005, as well as EMS Conference (Electroacoustic Music Studies Network) in 2006 and 2010 at Beijing and Shanghai respectively.

翻译术语如下/Translated terminology as below (共计/Totally 61) :

#1of3 Beginner/(初学)
Acousmatic/(闻)
Acousmographe/(声谱图)
Acoustics/(声学)
Algorithmic Music/(算法音乐)
Analogue Electroacoustic Music/(模拟电声音乐)
Audio Engineering/(音响工程)
Audio-Visual Theory/(视听理论)
Chaos Theory/(混沌理论)
Cognitive Science/(认知科学)
Collaboration/(协作)
Collage/(拼贴)
Computer Music/(计算机音乐)
Computing/(运算)
Create/(创作)
Cultural Studies/(文化研究)
Cybernetics/(控制论)
Disciplines of Study [DoS]/(多学科研究)
Discovering Music All Around Us/(音乐就在我们身边)
Ear Cleaning/(洗耳)
Electroacoustic Music/(电声音乐)
Fire Into The Glitch/(星火故障(星星之火可以故障))
Fractal Theory/(分形理论)
Genres and Categories [G&C]/(风格与流派)
Interactivity/(交互)
Interdisciplinary Studies/(跨学科研究)
Karplus Strong Algorithm/(卡普拉斯特朗算法)
Learn/(学习)
Linguistics/(语言学)
Listen/(聆听)
Macro-level Structure/(宏观结构层)
Media Studies/(媒体研究)
Micro-level Structure/(微观结构层)
Modes of Listening/(聆听模式)
Music Education/(音乐教育)
Music Made of Sounds/(音乐是声音做的)
Music Philosophy/(音乐哲学)
Music Psychology/(音乐心理学)
Musicology of Electroacoustic Music [MEM]/(电声音乐学)
Musique Concrète/(具体音乐)
New Media Theory/(新媒体理论)
Organising Sounds/(组织声音)
Performance Practice and Presentation [PPP]/(表演与展示)
Phenomenology/(现象学)
Philosophy Of Music/(音乐哲学)
Pitch/(音高)
Probability Theory/(概率理论)
Properties of Sounds/(声音的属性)
Psychoacoustics/(心理声学)
Real-time/(实时)
Reduced Listening/(化约聆听)
Referential Sound/(参考声音)
Remixing/(复混)
Semiotics/(记号语言学)
Sound Installation/(声音装置)
Sound Production and Manipulation [SPM]/(制作与处理)
Sound-based Music/(声音作为基础载体的音乐(声基音乐))
Soundscape Design/(声音景观(声景)设计)
Spectromorphology/(频谱形态学)
Structure, Musical [Str]/(音乐与结构)
Timbre / Sound Quality/(音色/音质)

校对术语如下/Proofread terminology as below (共计/Totally 49) :

#2of3 Intermediate/(中级)
#3of3 Advanced/(深入)
Additive Synthesis/(加法合成)
Aleatory/(偶然)
Ambisonic/(声重发系统)
Binaural/(双耳录音)
Bruitisme/(噪音主义)
Collaboration/(协作)
Compose With Sounds: FREE Software/(用声音创作:公益软件)
Composer Case Studies/(作曲家案例研究)
Create/(创作)
Creative Abuse/(创造力滥用)
Crossfade/(交叉淡化)
Delay/(延迟)
DSP/(数字信号处理)
Electronic Music/(电子音乐)
Experimental Music/(实验音乐)
Feedback/(回授(反馈))
Found Sound/(已有声音)
Gestural Interface/(姿态界面)
Glitch/(故障)
Grain/(粒子)
Graphic Interface/(图形式界面)
Learn/(学习)
Listen/(聆听)
Mixed Work/(混声作品)
Movement Detection/(动作探测)
Music Made of Sounds/(音乐是声音做的)
National and Regional Practices and Styles/(国家及地域的创作和风格)
New Media Theory/(新媒体理论)
Noise Pollution/(噪音污染)
Partial/(分音)
Phonetics/(语音学)
Pitch/(音高)
Pitch-shifting/(音高移位)
Plug-in (Plugin)/(插件)
Referential Listening/(参考聆听)
Remixing/(复混)
Reverse/(反转)
Rock Concrète/(具体摇滚)
Scratching/(打碟)
Signal Processing/(信号处理)
Soundwalk/(声音漫步)
Subtractive Synthesis/(减法合成)
Tape Music/(磁带音乐)
The Science of Sounds/(声音的科学)
Time-stretching/(时间缩放)
Tuning Systems/(调音系统)
Woodland Soundwalk/(林地声音漫步)

术语顾问如下/Consultant to terminology as below:

Deep Pockets/(落袋深处)
Log Cabin/(风雨小木屋)

文献作者/Author

标题Title副标题Subtitle
电子音乐组曲《不同空间对话》结构分析The Structural Analysis of The Dialogue From Different Space   

文献翻译/Bibs Translator

标题Title 副标题Subtitle
计算机音乐教程Computer Music Tutorial  

文献校对/Bibs Proofreader

标题Title副标题Subtitle

文献收集/Bibs Collector

标题Title 副标题Subtitle
20世纪音乐的素材与技法Materials and Techniques of Twentieth-Century of Music第12章;音色与织体:电子音乐Chapter 12; Timbre and Texture: Electronic
初创阶段的电子音乐-具体音乐1of2Concrete Music in Its Early Stage(1of2)  
初创阶段的电子音乐-具体音乐2of2Concrete Music in Its Early Stage(2of2)  
电子和实验音乐Electronic and Experimental Music 4th (fourth) Edition科技、音乐和文化(第四版)Technology, Music, and Culture
电子音乐的第一次浪潮-磁带音乐(1of4)The First Tidal Wave in EA Music-Tape Music(1of4)  
电子音乐的第一次浪潮-磁带音乐(2of4)The First Tidal Wave in EA Music-Tape Music(2of4)  
电子音乐的第一次浪潮-磁带音乐(3of4)The First Tidal Wave in EA Music-Tape Music(3of4)  
电子音乐的第一次浪潮-磁带音乐(4of4)The First Tidal Wave in EA Music-Tape Music(4of4)  
电子音乐的概念界定Confining Concept of Electroacoustic Music  
电子音乐技术The Theory and Technique of Electronic Music  
分类法要素Essential Classification  
混沌分形与音乐Chaos, Fractal and Music  
混沌分形与音乐关系的思索Thinking of Chaos, Fractal and Music  
计算机音乐教程Computer Music Tutorial  
声音组织艺术之解读Understanding the Art of Sound Organization  
使用声音作音乐Making Music with Sound  
视听Audio-Vision幻觉的构建Sound on Screen
谈计算机音乐软件Max/MSPOn Max/MSP  
新媒体艺术论Talking About the New Media Art  
音的历程The Being of Tone  
音乐声学与心理声学(第三版)Acoustics And Psychoacoustics (Third Edition)  

文献顾问/Bibs Consultant

标题Title 副标题Subtitle

主讲/Lecturer

题目Title时间/Start Time
酒馆儿博士PubhD Leicester2016-8-9 19:30:00
CHEARS版本2.0 – 合并与集成EARS2CHEARS ver.2.0 – Combination and Integration of EARS22014-6-13 11:30:00
沈音作曲系混音艺术大课Internal Mixing2013-3-1 14:50:00
音频专业临界聆听技巧Critical Listening Skills for Audio Professionals2012-8-17 10:00:00
CHEARS术语基于《计算机音乐教程》而得到扩展以及对CHEARS公同体的研究The Expansion of CHEARS Terminology from The Computer Music Tutorial(CMT)and The Research of CHEARS Community2011-10-28 0:00:00
从EARS到CHEARSFrom EARS to CHEARS2011-6-16 16:00:00

交互传译/Interpreter

题目Title时间/Star Time
编程与代码 == 合成与演出Synthesis and performance in SuperCollider2017-10-1 10:00:00
音乐科技创研中心之数字文化系列讲座Music, Technology and Innovation Research Centre - Digital Culture Series2013-10-8 14:50:00
Max/MSP深入课程Max/MSP Advanced Course2013-6-5 10:00:00
作曲系艺术实践系列讲座之即兴作曲Spring Vacation Lecture Series of Composition Dept.: Improvisation In Creative Works2013-4-1 13:00:00
沈音作曲系混音艺术大课Internal Mixing2013-3-1 14:50:00
音频专业临界聆听技巧Critical Listening Skills for Audio Professionals2012-8-17 10:00:00
EARS/CHEARSEARS/CHEARS2011-11-1 13:30:00
我的声音观念—以声音作为音乐基础载体的看法My Views on Sound-based Music2011-10-27 10:40:00
纳米下的声音(The smallest sound)HET KLEINSTE GELUID_the Vijf Canons of Dick Raaijmakers2010-12-26 10:00:00
赋有乐感的声音—具体音乐之类型学与形态学THE SOUND OF MUSIC_typology and morphology of concrete music2010-12-22 10:00:00
声音艺术—杂谈丛书SOUND ART_a random collection2010-12-15 10:00:00
另类乐谱—Cornelius Cardew的专著SCORED TO DIFFER_Treatise of Cornelius Cardew2010-12-8 10:00:00
路易吉·诺诺的《为大号和电子音乐而作》"Solo Tuba and Live Electronics (1987)" by Luigi Nono2010-11-28 10:00:00
余烬、尘与云—伊阿尼斯·泽纳基斯的电子音乐EMBERS, DUST AND CLOUDS_the electronic music of Iannis Xenakis2010-11-24 13:00:00
斯蒂芬·莱奇的“摆动音乐”"PENDULUM MUSIC" by Steve Reich2010-11-17 10:00:00
科学如诗:声学与现象THE POETICS OF SCIENCE: phenomenology and acoustical occurrences2010-11-10 13:00:00
"我坐在一个房间里""I AM SITTING IN A ROOM" by Alvin Lucier2010-11-10 10:00:00
非确定性作曲与非线性程序(下)A GOOD CHANCE OF MUSIC_part 2: indeterministic composition and non linear procedures2010-11-3 13:00:00
约翰·凯奇《变奏II》"VARIATIONS II" by John Cage2010-11-3 10:00:00
非确定性作曲与非线性程序(上)A GOOD CHANCE OF MUSIC_part 1: indeterministic composition and non linear procedures2010-10-20 13:00:00
MAX/MSP 暑期工作坊(初学者)Max/MSP Summer Workshop (Beginners)2010-9-8 10:00:00
人·计算机·音乐on Musical Grounds2009-4-2 14:00:00
电脑在音乐中的角色on Musical Grounds2009-3-27 10:00:00
电影中的电子音乐系列之一电影中的第四维空间Electroacoustic Music in Film Series2007-10-23 0:00:00