#2of3 Intermediate
中级/Zhong1 Ji2
n/a
CHEARS: False
EARS: False
CMT: False
EARS2 Encyclopedia: False
CHEARS:
EARS: Machine Translation / MySQL (beta) at CHEARSdotinfo.co.uk
探索关于声音的构成以及新方法新思路。
变形
材料的变形和发展是一个很普通但是很强大的工具，应用在许多不同类型的音乐之中。
结构
如何把材料置于结构之中，我们将研究一些具有多种可能性的策略，并鼓励你发展自己的结构原则。
空间
当使用录制好的声音进行工作时，作品的空间成为了一个强大的元素。无论是声音定位，还是空间感，两者都很重要。
静音
声音取决于周围的环境（静音），既然如此，静音本身就是作品中一个关键的元素。
电声作品
创作一部作品，探索声音的姿态和音色。
声像与多个扬声器
在现实世界中，声音经常移动。如果我们使用一个固定的麦克风捕捉那些声音，然后使用一个固定的扬声器播放它们，声音就不再移动了（它来自一个固定不动的点——静止扬声器）。声音从我们的四面八方传来，我们可以通过使用多个扬声器来展现声音的定位感和动感。
复杂波
大多数物体通过一个复杂的方式振动，这种运动比一个简单的前后（来回）运动要复杂的多。越复杂的振动产生的声波的也越复杂。
聆听模式
以不同的方式学习聆听，或是声音本身的属性（乐感聆听），或是声音的来源（语境聆听）。
音色/音质
你如何描述声音的质地？
偶然性
每当需要寻找新声音和提出新想法的时候，偶然性和随机性的确是一个好办法。但是，一些作曲家决心更近一步，并且把大部分创作决定权交给了偶然性。
电声音乐
电声音乐的出现，来自具体音乐和德国电子音乐技术的融合与结合。
音乐和数学
几千年来，人们一直试图用数学来描述音乐，并且理解音乐。
Explore new ways of thinking about sounds and new approaches to composing with them.
Transformation
The transformation and development of materials is a simple but highly powerful tool, used in many different types of music.
Structure
The question of how to structure materials can be difficult. We will examine a number of possible strategies and encourage you to develop your own.
Space
When working with recorded sound, Space becomes a powerful element within compositions. Both the positioning of sound, and the impression of space can be really important.
Silence
Sounds are defined by the silence that surrounds them. And in this way silence itself becomes a key element in composition.
Electroacoustic Piece
Compose a piece that explores the gestures and timbres of sounds.
Panning and Multiple Loudspeakers
Sounds in the real world often move. But if we capture those sounds using a stationary microphone, and play them back using a stationary loudspeaker then the sound no longer moves (it comes from a fixed and stationary point – the still loudspeaker). Sounds also come from all around us. By using multiple loudspeakers we can reintroduce the impression of positioning and movement for sounds.
Complex Soundwaves
Most objects vibrate in a more complex way than a simple back and forth motion. The more complex the vibrations the more complex the resulting sound waves.
Modes of Listening
Learn to listen in different ways. Either to the properties of the sound itself (musical listening) or to the source of the sound (contextual listening).
Recognisibility
Some sounds we can recognise, others we can't. What does this mean for music that is made with sounds?
Timbre / Sound Quality
How can you describe the texture of sounds?
Chance
Chance and randomness can be a really good way to find new sounds and generate new ideas. But some composers decided to go even further and hand over most of the compositional decisions to chance.
Electroacoustic Music
Electroacoustic music emerged from the mixing and combination of techniques from Musique Concrete and Elektronische Musik.
Music and Maths
For thousands of years people have tried to use Maths to describe and understand music.
EARS 2: MT / MySQL (beta) at CHEARSdotinfo.co.uk
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讲座/Lecture
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