Musicology of Electroacoustic Music [MEM]
电声音乐学/Dian4 Sheng1 Yin1 Yue4 Xue2
電聲音樂學
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简而言之，音乐学是针对音乐的研究。因此，电子音乐学就是针对电子音乐的研究。它可以分成三个相互交迭的领域：历史性研究、体系性研究、还有民族性电子音乐（ethno-electroacoustic music）研究。历史性研究是从历时的角度（探求现象变化）和共时的角度（不考虑历史演进），来思考体系化的音乐学以及科技中多方面因素之间的特定关系。在音乐自身中，从最深奥的道理到更广泛的形式都是它所要研究的重点课题。民族电子音乐研究包括：音乐对听觉感受的影响、音乐对听觉文化的影响，以及围绕在我们身边的声音与我们的关系。最后，体系性研究领域由各种各样的子领域组成，其中许多研究工作是专门地针对理论方面的问题而展开的，但整个体系性研究又并非仅此而已。
Simply stated, musicology is the study of music. Electroacoustic musicology is, therefore, the study of electroacoustic music. It can be subdivided into three overlapping areas: historical, systematic and ethno-electroacoustic music studies.
The historical area is one that looks at the music diachronically and synchronically, taking various aspects of systematic musicology and technology into account where pertinent. Its key corpus of research is the music itself from the most esoteric to its more popular forms.
Ethno-electroacoustic music studies is involved with the impact of this music on our listening, our aural culture as well as on our relationship with all sounds that surround us.
Finally, the systematic area consists of an assortment of sub-areas, many focusing on theoretical issues, but not exclusively.
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