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Abstract Syntax and Abstracted Syntax

抽象语法和抽象后语法/Chou1 Xiang4 Yu3 Fa3

抽象語意

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“The contemporary music polemic of the post-war era - in Europe the divide between ‘elektronische musik’ and ‘musique concrète’, in America the divide between the legacy of serialism from Europe and the freer approach of many young composers - as the opposition of an ‘abstract’ syntax to one ‘abstracted’ from the materials.”

The pairing was proposed by Simon Emmerson, in 'The Relation of Language to Materials' in Emmerson, S., ed. (1986 p.23). The Language of Electroacoustic Music.

EARS: Machine Translation / MySQL (beta) at CHEARSdotinfo.co.uk

作曲的材料按照形式化原则加以组织，抽象语法涉及到这种方式。声音的本质与材料自身的特点，对于抽象语法而言无关紧要。抽象[后]语法感知材料本身内在的相关性，从这点来看，它还涉及到结构原理。“抽象语法”和“抽象后的语法”，这对概念由Simon Emmerson提出，在其1986年所著的书《电子声学音乐的语言》(Basingstoke: Macmillan Press）的“材料中具有的语言关系”内容中，他提到了二者之间的连续统一性。

Abstract Syntax refers to the manner in which compositional material may be organised according to formal principles, extrinsic to the sonic nature and characteristics of the material itself. Abstracted Syntax refers to the extraction of structuring principles according to what is perceptually perceived as of pertinence within the material itself. The pairing was proposed by Simon Emmerson, in 'The Relation of Language to Materials' in Emmerson, S., ed. (1986). The Language of Electroacoustic Music. (Basingstoke: Macmillan Press), in which he proposes a continuum between the two. The pair is also related to Aural/Mimetic Discourse.

EARS 2: MT / MySQL (beta) at CHEARSdotinfo.co.uk

参看其它/See Also

Architectonic/();
Aural Discourse and Mimetic Discourse/(话语听觉与话语摹仿);
Formalism/(形式主义);
Musique Concrète/(具体音乐);
Schaefferian Theory/(舍费尔理论);

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评论/Comment ID	用户名/User Name	内容/Content	时间/Input Date
336	mungo	Europe: ‘elektronische musik’ ‘musique concrète’ America: the legacy of serialism from Europe the freer approach of many young composers Abstract Syntax: ‘elektronische musik’ the legacy of serialism from Europe Abstracted Syntax: ‘musique concrète’ the freer approach of many young composers 玄之又玄 有無相生 難易相成 長短相較 高下相傾 音聲相和 前後相隨 Being and non-being interdepend in growth Difficult and easy interdepend in completion Long and short interdepend in contrast High and low interdepend in position Tones and voice interdepend in harmony Front and behind interdepend in company Abstract: 虚之 Abstracted：又虚	2022/3/25 3:18:05
88	Iris	译者不太理解“Aural/Mimetic Discourse”的意思，最后一句话“The pair is also related to Aural/Mimetic Discourse.”没有翻译，"Aural/Mimetic Discourse”从字面的解释为“话语表述的模仿/话语表述的听觉”。正确、规范地解释其定义，我们需要进一步对Aural/Mimetic Discourse有深入理解。	2010/7/19 22:25:10
87	mungo	What does "Aural/Mimetic Discourse" mean exactly? I think we have to do more research on it, please check the description of "Aural Discourse and Mimetic Discourse" under See Also!	2010/7/19 22:15:31
81	Iris	不确定“abstracted syntax”翻译为“抽象后的语法”还是“被抽象的语法”。查询相关资料，此术语的定义与Simon Emmerson的书《The Language of Electroacoustic Music》（London: Macmillan）第17-39页的内容“The Relation of Language to Materials”紧密相关。	2010/7/14 1:25:39

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