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Aural Discourse and Mimetic Discourse

话语听觉与话语摹仿/Hua4 Yu3 Ting1 Jue2 Yu3 Hua4 Yu3 Mo2 Fang3

話語聽覺與話語摹仿

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EARS2 Encyclopedia: False

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EARS: Machine Translation / MySQL (beta) at CHEARSdotinfo.co.uk

话语听觉与常规的、我们熟知的结构化、推论的音乐属性相关，例如音高和节奏之间的关系、模式。话语摹仿与语言指称的潜在表意或声音的外在属性相关，尤其与使用录制的声音作为素材的电子声学音乐相关。这对术语由Simon Emmerson在“材料的语言关系”（1986年）中提出（选自《电子声学音乐的语言》，贝辛斯托克:麦克米兰出版社）。他在文中指出了二者的连续同一性，它们也与“抽象语法/抽象后的语法”相关。

Aural Discourse refers to conventional and familiar structuring and discursive musical attributes such as relationships and patterns of pitches and rhythms. Mimetic Discourse refers to the signifying potential of referential or extrinsic attributes of sound, being particularly pertinent to Electroacoustic Music which uses recorded sound as material. The pairing was proposed by Simon Emmerson, in 'The Relation of Language to Materials' in Emmerson, S., ed. (1986). The Language of Electroacoustic Music (Basingstoke: Macmillan Press), in which he proposes a continuum between the two. The pair is also related to Abstract/Abstracted Discourse.

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参看其它/See Also

Abstract Sound(s)/(抽象声);
Abstract Syntax and Abstracted Syntax/(抽象语法和抽象后语法);
Mimesis/(摹仿);
Referential Sound/(参考声音);

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评论/Comment ID	用户名/User Name	内容/Content	时间/Input Date
89	Iris	这对概念是理解抽象语法和抽象后的语法（Abstract Syntax and Abstracted Syntax）的重要线索，在完成此概念的相关研究与翻译以后，译者需要完善、修订“Abstract Syntax and Abstracted Syntax”的翻译。	2010/7/19 23:08:17

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