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Sampling

采样/Cai3 Yang4

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CHEARS: False
EARS: True
CMT: True
EARS2 Encyclopedia: False

CHEARS:

EARS: Machine Translation / MySQL (beta) at CHEARSdotinfo.co.uk

一个采样是电脑内存中的一份声音材料,我们可以通过采样器、MIDI乐器或电脑软、硬件等专有设备来控制和启动它,例如将采样回放、移调等。来源-鲁道夫凯撒(Source - Rodolfo Caesar),1992年,电子音乐作曲博士论文,东安格利亚大学(University of East Anglia)。

采样器是一种电子仪器,他可以通过数字录音的方式捕获各种声音。而这些声音能被任何MIDI信号触发而回放。许多采样器都具有包络(envelope)、滤波器(filter)、调制(modulation)等编辑功能。并可以建立一个数字循环(digital loop),使声音片段被循环播放。

A sample is a portion of sound locked in digital memory, which can be played back, transposed and undergo several other transformations which are possible in a dedicated device such as a sampler or on a computer's hard disk. Most of these functions can be triggered either by the sampler's controls, by a MIDI instrument or through other digital interfaces: computer software or hardware, MIDI data boxes. (Source - Rodolfo Caesar (1992). The Composition of Electroacoustic Music. PhD Thesis, University of East Anglia.)

A sampler is an electronic instrument that allows for the capture of digital recordings of any sound which can be played back by way of any MIDI trigger. Most samplers allow for modest editing opportunities (e.g., envelope, filter, modulation) as well as creating a digital loop allowing short sounds to be sustained.

EARS 2: MT / MySQL (beta) at CHEARSdotinfo.co.uk

参看其它/See Also

Acousmatic/(闻);
Aural Discourse and Mimetic Discourse/(话语听觉与话语摹仿);
Culture-jamming/(文化干扰);
Digital Aesthetics/(数字美学);
Free Music/(自由音乐);
Hybrid Thinking/(混合思考);
Plunderphonics/(掠夺之声);
Reduced Listening/(化约聆听);
Referential Sound/(参考声音);
Sound Object/(声音对象);
Soundscape Composition/(声音景观(声景)作曲);
Transcontextuality/();

术语翻译/Terms Translator

任秀/Ren Xiu

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参考文献/Bibliography

标题Title副标题Subtitle
20世纪音乐的素材与技法Materials and Techniques of Twentieth-Century of Music第12章;音色与织体:电子音乐Chapter 12; Timbre and Texture: Electronic

讲座/Lecture

题目Title时间/Start Time
Max/MSP 中级班Max/MSP Summer Workshop (Intermediate)2011/9/12 10:00:00

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