声音之策/Sheng2 Yin1 Zhi1 Ce4
The term adopted by the composer Edgard Varèse to describe his music. His use of this term reflects in particular his insistence on the musical potential of a widening 'palette' of possible sounds for use in the concert hall; in particular percussion resources, electronically-generated sound, and recorded sound. The term is often cited in attempts to define music, and anticipates the notion of music as a 'plastic' art form.
A term used to describe music, thus allowing any sound to be used as musical material.
术语顾问/Consultant to terminology