Electroacoustic Piece
电子音乐小品/Dian4 Zi3 Yin1 Yue4 Xiao3 Pin3
n/a
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EARS: False
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CHEARS:
EARS: Machine Translation / MySQL (beta) at CHEARSdotinfo.co.uk
Compose a piece that explores the gestures and timbres of sounds.
Use your skills in transformation and listening to create a piece from gestures and textures.
Materials
You might find it useful to limit yourself to using only a few materials at first, and then gradually expand your palette as you need new sounds.
If you're struggling to choose sounds for you to start composing with then try to pick sounds which you find really interesting, or have a personal significance for you.
Development of Materials
Take your chosen materials and begin to transform them by using the manipulations in Compose With Sounds. Experiment with many different types, combinations and settings of effects. Use the export function to create permanently stored copies of the processed sounds.
You might not end up using all of the sounds that you create in a final piece, but it's useful to have a wide collection to choose from. Later on in the process you'll then be able to make new sounds on demand according to your needs (for example, if a sound is ALMOST correct, you'll be able to hold the almost correct version, while you go back in and experiment with subtle changes in the parameters and settings. You'll then be able to compare the almost correct sound with the new sound that you're creating until it sounds just right for your needs).
Composition Tip
Think about energy and the natural properties of objects, this will allow you to relate sounds together in a way that sounds / feels natural.
For example, think about the swing of a bat, the thwack of it striking a ball and the final trajectory of the ball as it flies off and slowly loses energy. These actions are all related by a transfer of energy, and the transfer of energy in this example can be used as a model for our own composite gestures.
EARS 2: MT / MySQL (beta) at CHEARSdotinfo.co.uk
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