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Classification of Sound

声音分类/Sheng1 Yin1 Fen1 Bian4

n/a

CHEARS: False
EARS: True
CMT: False
EARS2 Encyclopedia: False

CHEARS:

EARS: Machine Translation / MySQL (beta) at CHEARSdotinfo.co.uk

声音可以被电子音乐的曲作者和听众同时使用和归类，在作为辅助成分以及分析经验这一点之前，这样的尝试几乎没有。例如，包括Schaefferian理论，Wolfgang Thies’ "Typologie der Klänge"理论，在类型学的基础上，用形容词和更为正式的类型学的方法，描述物理声音的特征或声音类型的对象。

Sounds being classified can be of use both to the makers and listeners of electroacoustic music. Such attempts, of which there have been too few until this point, were created to assist in compositional approaches as well as the analytical experience/reception. Examples include Schaefferian theory, Wolfgang Thies' "Typologie der Klänge" which used adjectival sonic descriptors (W. Thies-Grundlagen einer Typologie der Klänge, Hamburg: Verlag der Musikalienhandlung Karl Dieter Wagner, 1982) and more formal typologies based on physical sound characteristics or types of sound objects.

EARS 2: MT / MySQL (beta) at CHEARSdotinfo.co.uk

参看其它/See Also

Auditory Scene Analysis/(听觉场景分析);
Soundscape Studies/(声音景观（声景）研究);
Spectromorphology/(频谱形态学);
Typo-morphologie (Typo-morphology)/();

术语翻译/Terms Translator

周育竹/Zhou Yuzhu

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参考文献/Bibliography

标题

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讲座/Lecture

题目	Title	时间/Start Time
赋有乐感的声音—具体音乐之类型学与形态学	THE SOUND OF MUSIC_typology and morphology of concrete music	2010/12/22 10:00:00
如何指导学生的电子音乐研究：其中包括什么内容，以及最佳的引导方式？	Educating students in electroacoustic music studies: what does this consist of and how can we best deliver it?	2010/6/24 14:00:00

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