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电子音乐的实践与创新
Marc Battier Masters Class For Electroacoustic Music

电子音乐是一种将声音转换成音乐的艺术。电子音乐的存在使得声音变得无穷无尽,同时,因其是有声的、数字化的,音乐创作再不需要任何声学或电子乐器,声音通过录制并转换就可以成为音乐材料。

当然,将录制的声音转化成音乐需要有多种技术手段、特定的软件及丰富的经验支撑。但,整体而言,最主要的是聆听。聆听不同的声音,了解声音所传达的讯息,并考虑如何将其转化为音乐。

65年前,发明电子音乐的音乐家皮埃尔•舍费尔将制作电子音乐的过程描述为从声音到音乐的一次旅行。他发明了许多创作电子音乐的方法。最重要的是,他教人们如何发现身边自然的声音并将它们转换成美妙的音乐。

继皮埃尔•舍费尔(Pierre SCHAEFFER)之后,其它的音乐家尝试了多种不同的电子音乐创作路径。其中就包括德国的卡尔海因茨•施托克豪森(Karlheinz STOCKHAUSEN),他对电子声音非常着迷,希望能将一些基本的电子声音制作成复杂的音乐声音。此外,还有罗伯特•穆格(Robert MOOG),他发明了电子合成器。还有如约翰•乔宁(John CHOWNING)等许多音乐家都为电子音乐的发展发挥了推动作用。

今天,电子音乐在世界许多国家,可以通过多种方式得以实现,并且风格各异。比如,在中国,以张小夫(ZHANG Xiaofu)为代表的作曲家将电子音乐与中国民乐乐器很好地融合在一起制作出了混合类电子音乐这种音乐形式。

大师班/masterclass

Start Time: 2014年4月17日/0:00

End Time: 2014年4月22日/0:00

城市/City: 上海/Shanghai

地点/Venue:

上海视觉艺术学院/
松江区文翔路 2200号 德稻上海中心大厦

主办/Sponsor

德稻教育
De Tao Group

主讲/Lecturer

马克·巴蒂埃(白涛)/Marc Battier

交互传译/Interpreter

亓梦婕/Qi Mengjie (Maggie)

筹办/Organizer

关键词/Keywords

分析/Analysis
电声乐器/Electroacoustic Instruments
八声道/Octophony
四声道/Quadraphonic
声音对象/Sound Object
环绕声/Surround Sound
合成/Synthèse (Synthesis)
合成技术/Synthesis Techniques

信息/Message

信息/Message ID用户名/Username内容/Content时间/Input Date
92DanielDu

19th April

MORNING:

*François BAYLE

Rosace 5 (Vibrations composées 9, 1973)

Rosace I (Vibrations composées 1, 1973)

Film music: Emergency Heart, music by BAYLE, film by KAMLER, 1973

BAYLE: Polyrythmie (Vibrations composées 7, 1973)

BAYLE: ...au jardin (Grande polyphonie, 1974)

BAYLE: Erosphere (Erosphère) 2009

1) Very Sweet Earthquake (Tremblement de terre très doux), 28'10

2) Red Eros – The End of Noise – Blue Eros (Eros Bleu – La fin du bruit - L'infini du bruit – Eros Rouge), 16'18

3) Whirligig in the Sky (Toupie dans le ciel), 24'

*Kaija SAARIAHO, Stilleben (1988) 
Hörspiel (Radio play, or sound art for radio, or radio creation)

AFTERNOON:

Musique Concrète and Electroacoustic Music in France the Paris School: A Symphony of Noises and The Singing Locomotives

*Étude aux casseroles, also known as Étude pathétique by Pierre Schaeffer, (1948).

Technology of a radio studio; Primitive Techniques; The GRM (Groupe de recherches musicales).

Musique concrète and Phonogènes

*Michel Chion, Guide To Sound Objects (English translation by John Dack)

---

Analog modular synthesizer at GRM: 1968

2014-4-20 17:41:42
91DanielDu

18th April

*SCHAFFER: Concrete Music

Railroad Train Station, Etude Pathetique (closed loop); Phonogènes in Étude aux allures.

*NORMANDEAU: Live Memories, 1989 (fore and background)

*Francois BAYLE (1932- ): join SCHAFFER's GRM (Group Researcher Musical)

*BAYLE: Rosace 5, 1973 (visualization after 20 years)

*Jonathan HARVEY, Mortuos plango, vivos voco (1980)

Spectral Music: Gerard Grisey, Partiels (1975), for chamber ensemble.

2014-4-20 17:41:16
90DanielDu

17th April

Electroacoustic Music Workshop
Marc Battier

MORNING:

*Electroacoustic music and Electronic music: Musical creation, when the music has called for sound technology.

Electroacoustic sources can be composed of sounds (or samples) of various origins: natural sounds, processed or not; instrument or vocal sounds, transformed or not, even electronic sounds, as long as they are mixed or used with "concrete" sounds...Electronic sounds are composed of sounds produced by electronic or digital devices: synthezisers, oscillators, electronic musical instruments.

*Modes of presentation

Electroacoustic music is often played along with live performers. It is then called "mixed music". Example: Karlheinz Stockhausen, Kontakte (1960)

COMPOSITION FROM SPECTRAL ANALYSIS: Jonathan HARVEY, Mortuos plango, vivos voco (1980), 8-channel tape piece.

Early Musique Concrète and Developments: "Musique concrète" is the first name given to electroacoustic music by Pierre Schaeffer in Paris, in 1948.

Chamber ensemble and tape: Alejandro VINAO, Triple concerto (1983-1984) Flute, piano, cello and tape.

Music created live using gestural controllers and sensors with 2 examples: 1) Atau TANAKA and Sensorband (using body sensors and hand controllers); 2) Laetitia SONAMI and the "Lady's glove".

AFTERNOON:

Spectral music (create sound with musical instrument): GRISEY and MURAIL.

Process Music: Steven Reich, It's Gonna Rain and Come Out.

2014-4-20 17:10:09

发表信息(预先注册)/Add message on this lecture(members ONLY)