We do 不 聆听 to 音乐 in uniform 固定 or pseudo-objective ways 创造力 practice and 研究 in 电子声学 音乐 have highlighted the ways in which we may perceive different 音乐 in very different manners and adopt different approaches in our 聆听 It is also very frequent that different 聆听 策略 may be 采用 during the course of a single 作品 of 音乐 Much learned in this area about 聆听 响应/反应 is acknowledged and employed by 作曲者 and 音乐家 in their 策略 for the 创作 of 电子声学 音乐

It is the 感知（认为） salience of 方面 of 音乐 表面 and 结构 that will lead listeners to adopt different 策略 in their 聆听 For 例如 we will undoubtedly 聆听 to a fast monophonic 音序 of 自主性 声音 events in a very different fashion to an immensely dense and slowly evolving 粒子 质地（纹理、织体） 类似 we are likely to 聆听 to 叙述性 in a different manner from a highly 抽象 音乐 表面

Since 电子声学 音乐 is a time-based 艺术 our 聆听 may be highly directed by the 音乐 codes and 结构 设备 of the 作曲家 or we may be left the freedom to 聆听 in more non-directed ways

The idea in ecological theories of 感知 that any stimulus will 包含 the key to its eventual 理解 by the perceiver is 也许 apropos