In its most 一般 感觉 the 转移 or 变形 of 特征 of one 声音 to another It is therefore closely allied to the 概念 of 变形 of 声音

However the 术语 has a more precise meaning in the 作品 of the 作曲家 Karlheinz Stockhausen who during the 1960's in the 语义（上下文） of his serialist 美学 and 'universalist' spiritual ideology was much occupied with how to integrate heterogeneous 声音 材料 using 策略 other than 拼贴 Employing 工作室 技术 基于 upon 多 唤醒 调制 Stockhausen intermodulated or 'fused' excerpts of 现有 音乐 from 不同（多种多样） cultures Telemusik -1966 or 多 national anthems from around the globe Hymnen -1967 This 感觉 of the 术语 therefore 揭露 a 文化 as well as 技术 维度