The 术语 emergence can be taken as indicating a 意识 utilisation of the changing boundaries between the subject 听众 interpreter and the maker 艺术家 作曲家 in which the former interacts with what the latter has made such that the 作品 can be said to emerge in its 'use' rather than having been designed in its entirety by the 艺术家 and then 'presented' This too might be regarded as a 原则 enhanced by the mechanisms 科技 and 社会 联合 with 数字 技术 Paraphrase of Simon Waters 2000 Beyond the 幻听 混合 tendencies in 电子声学 音乐 in Simon Emmerson ed 音乐 电子 媒体(媒介) and Culture Aldershot Ashgate