A 术语 that originally designated the instrumental B-side or version of a reggae single 意图 as a backing 轨 for a deejay The 术语 came to be 联合 with the 作品 of producers such as King Tubby and Lee Scratch Perry who via 工作室 效果 turned these versions into 作品 of 艺术 in their own right

源 – Cox C and Warner D 2004 音频 Culture Readings in 现代 音乐 连续统一