A 毕达哥拉斯 术语 reintroduced in 1955 by Jérôme Peignot which considers the 距离 which 分离 声音 from their origin i e an audio-only 展示 of 声音 common to 电子声学 音乐

For some the 术语 is very precise and 提及 specifically to this 聆听 situation However the 术语 has gained wider 用途 in 描述 a 风格 which to a large extent derives from the 音乐 具体 传统 and is founded upon this 聆听 situation