A 毕达哥拉斯 术语 reintroduced in 1955 by Jérôme Peignot which considers the 距离 which 分离 声 from their origin i e an audio-only 展示 of 声 common to 电子声学 音乐

For some the 术语 is very precise and 提及 specifically to this 聆听 situation However the 术语 has gained wider 用途 in 描述 a 风格 which to a large extent derives from the 音乐 具体 传统 and is founded upon this 聆听 situation